{"id":1173,"date":"2023-10-27T10:04:50","date_gmt":"2023-10-27T10:04:50","guid":{"rendered":"https:\/\/editions.grandpalaisrmn.fr\/blog\/?p=1173"},"modified":"2024-11-07T13:19:23","modified_gmt":"2024-11-07T13:19:23","slug":"gertrude-stein-figure-litteraire","status":"publish","type":"post","link":"https:\/\/editions.grandpalaisrmn.fr\/blog\/gertrude-stein-figure-litteraire\/","title":{"rendered":"Gertrude Stein, figure litt\u00e9raire singuli\u00e8re, r\u00e9v\u00e9l\u00e9e \u00e0 travers le catalogue et le journal de l\u2019exposition \u00ab Gertrude Stein et Pablo Picasso \u00bb"},"content":{"rendered":"

M\u00e9connue en France, l\u2019\u0153uvre litt\u00e9raire de Gertrude Stein fonda le modernisme am\u00e9ricain. L\u2019exposition du mus\u00e9e du Luxembourg pr\u00e9sente le travail de cette \u00e9crivaine visionnaire, dont l\u2019influence a \u00e9t\u00e9 d\u00e9terminante en France comme aux \u00c9tats-Unis. Son amiti\u00e9 avec Pablo Picasso a nourri leur recherche esth\u00e9tique commune autour du cubisme, de la d\u00e9composition de l\u2019image et du langage. <\/strong>
\nNos \u00e9ditions d\u00e9voilent le processus cr\u00e9atif qui a permis de mettre en lumi\u00e8re l\u2019identit\u00e9 singuli\u00e8re de Gertrude Stein, offrant un prolongement essentiel et compl\u00e9mentaire \u00e0 ce qui est montr\u00e9 au sein du mus\u00e9e.<\/strong><\/p>\n

\"Vue
Librairie-boutique du mus\u00e9e du Luxembourg<\/figcaption><\/figure>\n

En 2011, l\u2019exposition \u00ab Matisse, C\u00e9zanne, Picasso\u2026 L\u2019aventure des Stein \u00bb<\/a> au Grand Palais a pr\u00e9sent\u00e9 l\u2019histoire de cette famille de grands collectionneurs \u00e0 travers elle le destin de la cadette, Gertrude. Am\u00e9ricaine, install\u00e9e \u00e0 Paris d\u00e8s 1904, elle avait accueilli dans son salon, rue de Fleurus, toute l\u2019avant-garde artistique de la capitale et cr\u00e9\u00e9 une des plus \u00e9tonnantes collections d\u2019art moderne. Toutefois, l\u2019\u00e9criture de Gertrude Stein, sujet en soi, n\u2019y \u00e9tait pas d\u00e9velopp\u00e9e, ni son influence sur l\u2019art am\u00e9ricain. Aujourd\u2019hui, ces sujets m\u00e9connus sont mis en lumi\u00e8re, sous le commissariat de C\u00e9cile Debray, \u00e0 l\u2019occasion d\u2019un parcours original qui s\u2019inscrit, cinquante ans apr\u00e8s la mort de Picasso, dans la programmation \u00ab C\u00e9l\u00e9bration Picasso. 1973-2023 \u00bb<\/a>.<\/p>\n

La couverture annonce la couleur<\/strong>
\nEn un titre et une image, la couverture r\u00e9ussit le double pari de pr\u00e9figurer le contenu de l\u2019exposition et de porter l\u2019identit\u00e9 singuli\u00e8re de Gertrude Stein.
\n\u00ab\u00a0La s\u00e9rigraphie de Warhol saisit la puissance de cette personnalit\u00e9 forte et androgyne, v\u00e9ritable ic\u00f4ne pop pour les artistes du xxe\u00a0<\/sup>si\u00e8cle, confie C\u00e9cile Debray. Cette \u0153uvre est embl\u00e9matique de la mani\u00e8re dont la figure de Gertrude Stein a \u00e9t\u00e9 reprise et port\u00e9e par la sc\u00e8ne am\u00e9ricaine. Sa dimension contemporaine, hi\u00e9ratique et pop, sugg\u00e8re bien la post\u00e9rit\u00e9 du cubisme, \u00e9voqu\u00e9e par l\u2019exposition ; Andy Warhol con\u00e7oit le portrait au trait stylis\u00e9 sur un fond bicolore rose p\u00e2le, partag\u00e9 par une diagonale qui semble faire \u00e9cho aux Demoiselles d\u2019Avignon, de Picasso, et, peut-\u00eatre aussi, au c\u00e9l\u00e8bre vers steinien : \u201cRose is a rose is a rose is a rose\u201d. \u00bb
\n\u00c0 travers ses mots, dissoci\u00e9s et flottants, le titre s\u00e9rigraphi\u00e9 convoque, imm\u00e9diatement lui aussi, le concept de tectonique textuelle, au c\u0153ur de l\u2019\u00e9criture cubiste.<\/p>\n

\"Couverture<\/p>\n

Le catalogue offre une chrono-anthologie in\u00e9dite<\/strong>
\n\u00ab\u00a0Le propos de l\u2019exposition, explique C\u00e9cile Debray, est de montrer la radicalit\u00e9 commune \u00e0 l\u2019\u00e9criture steinienne, qui d\u00e9construit et lib\u00e8re le langage, et au cubisme de Picasso, qui d\u00e9compose le r\u00e9el. Il s\u2019agit de deux \u0153uvres conceptuelles assez difficiles, presque herm\u00e9tiques. Aussi, nous avons choisi de donner \u00e0 lire cette \u00e9criture sur les murs, en pla\u00e7ant des citations de l\u2019autrice pr\u00e8s des \u0153uvres de Picasso et d\u2019artistes qu\u2019elle a influenc\u00e9s.\u00a0\u00bb
\nL\u00e9a Pietton, responsable d\u2019\u00e9dition de notre maison, d\u00e9taille la d\u00e9marche adopt\u00e9e dans le catalogue\u00a0: \u00ab\u00a0[Il] suit le parcours de l\u2019exposition et le compl\u00e8te. Un premier chapitre \u00e9voque la vie de Gertrude Stein \u00e0 Paris, son amiti\u00e9 avec Pablo Picasso et son \u201ccubisme litt\u00e9raire\u201d\u00a0; puis la seconde partie porte sur l\u2019influence de son \u0153uvre aupr\u00e8s des artistes am\u00e9ricains. La singularit\u00e9 de l\u2019ouvrage repose sur la chrono-anthologie. Elle m\u00eale dates cl\u00e9s et extraits des \u00e9crits de la po\u00e8te. Nous avons confi\u00e9 ce tableau synoptique, tout \u00e0 fait in\u00e9dit, \u00e0 Philippe Blanchon, l\u2019auteur de la biographie Gertrude Stein, publi\u00e9e aux \u00e9ditions Gallimard. Il fait de ce catalogue un outil de r\u00e9f\u00e9rence sur le sujet.\u00a0\u00bb<\/p>\n

\"Vu<\/strong><\/p>\n

Le journal, \u00ab biographique et narratif \u00bb<\/strong>
\n\u00ab\u00a0Le journal offre, lui aussi, un angle nouveau, compl\u00e9mentaire au catalogue et aux textes de salle, ajoute C\u00e9cile Debray. R\u00e9dig\u00e9 par l\u2019historienne de l\u2019art et commissaire associ\u00e9e, Assia Quesnel, il est une porte d\u2019entr\u00e9e dans l\u2019univers de Gertrude Stein par le prisme des lieux qu\u2019elle a travers\u00e9s, depuis les \u00c9tats-Unis, o\u00f9 elle est n\u00e9e, jusqu\u2019\u00e0 Paris, o\u00f9 elle est d\u00e9c\u00e9d\u00e9e. Avec le journal, nous souhaitions proposer un parcours biographique et narratif de Gertrude Stein. Car le mus\u00e9e du Luxembourg est un lieu de l\u2019histoire steinienne\u00a0! Rappelons-nous qu\u2019elle habitait tout pr\u00e8s, rue de Fleurus, et qu\u2019elle a visit\u00e9 le mus\u00e9e alors qu\u2019il \u00e9tait le premier mus\u00e9e d\u2019art contemporain exposant l\u2019impressionnisme. \u00c0 travers diff\u00e9rents t\u00e9moignages, le journal donne la parole \u00e0 celles et ceux qui ont c\u00f4toy\u00e9 ou lu l\u2019\u00e9crivaine. L\u2019histoire g\u00e9ographique de Gertrude Stein est une allusion \u00e9vidente \u00e0 son essai L\u2019Histoire g\u00e9ographique de l\u2019Am\u00e9rique<\/em>. \u00bb<\/p>\n

Catalogue ou journal\u00a0? Ouvrage de r\u00e9f\u00e9rence ou angle nouveau\u00a0? Les deux publications, compl\u00e9mentaires, \u00e9clairent ensemble la construction d\u2019un personnage phare de l\u2019avant-garde parisienne, lorsqu\u2019elle accueillait, avec sa compagne Alice Toklas, une \u00e9lite artistique en pleine effervescence dans son salon parisien du 27, rue de Fleurus.
\nCent vingt ans apr\u00e8s, \u00e0 deux pas de l\u00e0, le mus\u00e9e du Luxembourg c\u00e9l\u00e8bre l\u2019h\u00e9ritage laiss\u00e9 par Gertrude Stein, encore tr\u00e8s populaire de l\u2019autre c\u00f4t\u00e9 de l\u2019Atlantique, et accueille une nouvelle g\u00e9n\u00e9ration d\u2019amateurs d\u2019art venue saluer sa l\u00e9gende.<\/p>\n

\n

D\u00e9couvrez le catalogue de l\u2019exposition<\/a><\/p>\n

Consultez le journal de l\u2019exposition<\/a><\/p>\n

Feuilletez le beau livre de l\u2019exposition de 2011, Gertrude Stein. Portraits singuliers<\/em><\/a><\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

M\u00e9connue en France, l\u2019\u0153uvre litt\u00e9raire de Gertrude Stein fonda le modernisme am\u00e9ricain. L\u2019exposition du mus\u00e9e du Luxembourg pr\u00e9sente le travail de cette \u00e9crivaine visionnaire, dont l\u2019influence a \u00e9t\u00e9 d\u00e9terminante en France comme aux \u00c9tats-Unis. Son amiti\u00e9 avec Pablo Picasso a nourri leur recherche esth\u00e9tique commune autour du cubisme, de la d\u00e9composition de l\u2019image et du…<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3],"tags":[],"class_list":["post-1173","post","type-post","status-publish","format-standard","hentry","category-edition"],"yoast_head":"\nConcevoir un livre : comment le graphisme accompagne le propos \u00e9ditorial<\/title>\n<meta name=\"description\" content=\"Exemple du processus cr\u00e9atif qui a permis de mettre en lumi\u00e8re l\u2019identit\u00e9 singuli\u00e8re de Gertrude Stein dans le catalogue de l'exposition\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" 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