{"id":190,"date":"2022-05-10T16:12:38","date_gmt":"2022-05-10T16:12:38","guid":{"rendered":"https:\/\/editions.grandpalaisrmn.fr\/blog\/?p=190"},"modified":"2023-07-19T08:45:06","modified_gmt":"2023-07-19T08:45:06","slug":"linvitee-des-editions-mona-achache","status":"publish","type":"post","link":"https:\/\/editions.grandpalaisrmn.fr\/blog\/linvitee-des-editions-mona-achache\/","title":{"rendered":"L\u2019invit\u00e9e des \u00e9ditions : Mona Achache"},"content":{"rendered":"

Tous les mois, les \u00e9ditions invitent une personnalit\u00e9 \u00e0 choisir un ou plusieurs titres parmi leur catalogue. La s\u00e9lection et les commentaires livr\u00e9s par cet invit\u00e9 \u00e9clairent sans nul doute sa personnalit\u00e9\u00a0: \u00ab\u00a0Dis-moi ce que tu lis, je te dirai qui tu es.\u00a0\u00bb (Fran\u00e7ois Mauriac)<\/p>\n

\"\"<\/p>\n

La s\u00e9lection de Mona Achache :
\nLa r\u00e9alisatrice a adapt\u00e9 \u00e0 l\u2019\u00e9cran le roman L’<\/em>\u00c9l\u00e9gance du h\u00e9risson,<\/em> de Muriel Barbery ; elle a tourn\u00e9 Les Gazelles<\/em> et diff\u00e9rents documentaires et fictions pour la t\u00e9l\u00e9vision. Alors que le film qu’elle vient de r\u00e9aliser, C\u0153urs vaillants,<\/em>\u00a0sort en salle, elle se confie \u00e0 nos \u00e9ditions au sujet des deux titres : Le Front de l\u2019art<\/em> et le catalogue d\u2019exposition Enfin le cin\u00e9ma\u00a0!<\/em>.<\/p>\n

\"\"<\/p>\n

Le Front de l\u2019art. D\u00e9fense des collections fran\u00e7aises, 1939-1945,<\/em><\/strong> de Rose Valland<\/a><\/p>\n

Rose, personnage principal du film C\u0153urs vaillants camp\u00e9 par Camille Cottin, est inspir\u00e9 de Rose Valland, grande figure de la R\u00e9sistance et de la sauvegarde des \u0153uvres spoli\u00e9es par les nazis en France. On la d\u00e9couvre, pendant la Seconde Guerre mondiale, conservatrice au mus\u00e9e du Jeu de Paume, puis au ch\u00e2teau de Chambord, alors utilis\u00e9s comme d\u00e9p\u00f4ts d\u2019\u0153uvres des mus\u00e9es nationaux.<\/em>
\n\u00ab\u00a0Soit je d\u00e9cidais de faire le portrait fid\u00e8le de Rose Valland, cette h\u00e9ro\u00efne incroyable, et je me plongeais dans sa vie, soit je partais de ce que je pouvais percevoir d\u2019elle et je m\u2019en \u00e9mancipais. Je voulais juste aller chercher l\u2019essence de ce qu\u2019elle a \u00e9t\u00e9, restituer ce que j\u2019ai pu percevoir de son temp\u00e9rament, de son rapport au courage, \u00e0 l\u2019engagement, au militantisme, \u00e0 la libert\u00e9 d\u2019\u00eatre qui elle voulait dans sa vie de femme et de conservatrice, et de n\u2019en faire qu\u2019\u00e0 sa t\u00eate\u00a0! Je me suis inspir\u00e9e de ce que je pouvais palper de ses \u00e9motions, de son caract\u00e8re. Volontairement, pour ne pas inhiber mon travail, je ne me suis pas inspir\u00e9e du livre de Rose Valland. Son personnage a n\u00e9anmoins guid\u00e9 sa construction. C\u2019est une libre inspiration. [\u2026] Je dois ma rencontre avec Rose Valland \u00e0 Jean Cottin, le producteur et sc\u00e9nariste du film. Son histoire a r\u00e9sonn\u00e9 en moi aussit\u00f4t\u2026 En 1999, le centre Pompidou a appel\u00e9 ma m\u00e8re pour lui annoncer qu\u2019un tableau, dont ma famille avait \u00e9t\u00e9 spoli\u00e9e en 1942, avait \u00e9t\u00e9 retrouv\u00e9. J\u2019ai demand\u00e9 \u00e0 ma cheffe d\u00e9coratrice qu\u2019il fasse partie du d\u00e9cor et qu\u2019il figure dans le bureau de Pierre Schommer, le responsable du d\u00e9p\u00f4t de Chambord. Au m\u00eame moment, la conservatrice du Mus\u00e9e dauphinois \u00e0 Grenoble, qui pr\u00e9parait son exposition sur Rose Valland, m\u2019appelle pour que le tableau rejoigne l\u2019exposition. Malheureusement, j\u2019ai d\u00fb d\u00e9cliner. Il s\u2019agit d\u2019un tableau sans valeur marchande, qui vient se noyer dans une caverne d\u2019Ali Baba d\u2019\u0153uvres d\u2019art, mais il a une histoire forte\u2026 Dans toutes les guerres, les forces obscures se sont toujours attach\u00e9es \u00e0 d\u00e9truire l\u2019art, la beaut\u00e9 et la fa\u00e7on qu\u2019avait chaque peuple d\u2019exprimer son identit\u00e9 en faisant du beau et en cr\u00e9ant. L\u2019art est la libert\u00e9 la plus totale. S\u2019y s\u2019attaquer, c\u2019est attaquer la plus belle part de notre humanit\u00e9. Il est n\u00e9cessaire que des personnes et des institutions continuent \u00e0 prot\u00e9ger le beau.\u00a0\u00bb<\/p>\n

\"Rose
Rose Valland (Camille Cottin) et Pierre Schommer (Swann Arlaud) @ Film <\/em>C\u0153urs vaillants, de Mona Achache<\/em><\/figcaption><\/figure>\n

 <\/p>\n

Enfin le cin\u00e9ma ! Arts, images et spectacles en France (1833-1907). <\/em><\/strong>Le catalogue de l\u2019exposition au mus\u00e9e d\u2019Orsay (2021)<\/a><\/p>\n

\u00ab\u00a0Le catalogue est magnifique avec son papier brut et toutes ces photographies anciennes. Il me fait penser au travail de Frank Beauvais, en particulier \u00e0 son film\u00a0Ne croyez surtout pas que je hurle, o\u00f9 il raconte une histoire \u00e0 travers un montage d\u2019extraits de films, avec des commentaires en voix off. Aucun plan n\u2019a \u00e9t\u00e9 tourn\u00e9 ni ajout\u00e9. Frank Beauvais est un passionn\u00e9 qui doit vivre constamment avec des r\u00e9f\u00e9rences cin\u00e9matographiques. Ce catalogue me rappelle justement les photographies des vieux films qu\u2019il publie sur les r\u00e9seaux sociaux. Enfin le cin\u00e9ma\u00a0! sugg\u00e8re l\u2019id\u00e9e d\u2019un montage\u00a0; ce pourrait \u00eatre l\u2019histoire des arts et de la soci\u00e9t\u00e9 racont\u00e9e \u00e0 travers des photos de cin\u00e9ma, comme des extraits assembl\u00e9s.\u00a0\u00bb<\/p>\n

 <\/p>\n

\n

Consultez les catalogues recommand\u00e9s par Mona Achache :
\nLe Front de l’art\u00a0<\/a>
\nEnfin le cin\u00e9ma !<\/a><\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

Tous les mois, les \u00e9ditions invitent une personnalit\u00e9 \u00e0 choisir un ou plusieurs titres parmi leur catalogue. La s\u00e9lection et les commentaires livr\u00e9s par cet invit\u00e9 \u00e9clairent sans nul doute sa personnalit\u00e9\u00a0: \u00ab\u00a0Dis-moi ce que tu lis, je te dirai qui tu es.\u00a0\u00bb (Fran\u00e7ois Mauriac) La s\u00e9lection de Mona Achache : La r\u00e9alisatrice a adapt\u00e9…<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[5],"tags":[],"class_list":["post-190","post","type-post","status-publish","format-standard","hentry","category-evenement"],"yoast_head":"\nL\u2019invit\u00e9e des \u00e9ditions : Mona Achache - Actualit\u00e9s de GrandPalaisRmn\u00c9ditions<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/editions.grandpalaisrmn.fr\/blog\/linvitee-des-editions-mona-achache\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"L\u2019invit\u00e9e des \u00e9ditions : Mona Achache - Actualit\u00e9s de GrandPalaisRmn\u00c9ditions\" \/>\n<meta property=\"og:description\" content=\"Tous les mois, les \u00e9ditions invitent une personnalit\u00e9 \u00e0 choisir un ou plusieurs titres parmi leur catalogue. 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