{"id":928,"date":"2023-05-15T14:07:02","date_gmt":"2023-05-15T14:07:02","guid":{"rendered":"https:\/\/editions.grandpalaisrmn.fr\/blog\/?p=928"},"modified":"2024-04-16T07:40:48","modified_gmt":"2024-04-16T07:40:48","slug":"linvitee-des-editions-marie-claude-pietragalla","status":"publish","type":"post","link":"https:\/\/editions.grandpalaisrmn.fr\/blog\/linvitee-des-editions-marie-claude-pietragalla\/","title":{"rendered":"L\u2019invit\u00e9e des \u00e9ditions : Marie-Claude Pietragalla"},"content":{"rendered":"

Tous les mois, nos \u00e9ditions invitent une personnalit\u00e9 \u00e0 choisir un ou plusieurs titres dans le catalogue. La s\u00e9lection et les commentaires livr\u00e9s par cet invit\u00e9 \u00e9clairent sans nul doute sa personnalit\u00e9\u00a0: \u00ab\u00a0Dis-moi ce que tu lis, je te dirai qui tu es.\u00a0\u00bb\u00a0(Fran\u00e7ois Mauriac)<\/p>\n

\"\"
la s\u00e9lection de Marie-Claude Pietragalla \u00a9zoomelliott<\/figcaption><\/figure>\n

La s\u00e9lection de Marie-Claude Pietragalla<\/strong>
\nL\u2019artiste chor\u00e9graphique, connue pour son approche multidisciplinaire, marque le monde de la danse par son innovation en m\u00ealant la litt\u00e9rature, le th\u00e9\u00e2tre, la musique et les arts visuels dans ses cr\u00e9ations. Danseuse \u00e9toile \u00e0 l\u2019Op\u00e9ra de Paris de\u00a01990 \u00e0\u00a01998, elle a pris la suite de Roland Petit \u00e0 la direction du Ballet national de Marseille. Depuis, elle a fond\u00e9 sa propre compagnie et \u00e9cole, le Th\u00e9\u00e2tre du Corps Pietragalla-Derouault<\/a>. En tourn\u00e9e actuellement pour les trois spectacles \u00ab\u00a0La Femme qui Danse\u00a0\u00bb, \u00ab\u00a0La Le\u00e7on\u00a0\u00bb et \u00ab\u00a0Mythologies\u00a0\u00bb, elle pr\u00e9pare sa nouvelle cr\u00e9ation pour\u00a02024, \u00ab\u00a0Giselle(s)\u00a0\u00bb qui offrira une vision f\u00e9ministe moderne du ballet romantique.<\/p>\n

\"\"
Etrange visage et Le R\u00eave – GrandPalaisRmn\u00c9ditions<\/figcaption><\/figure>\n

Le livre est pr\u00e9cieux, voire essentiel, pour Marie-Claude Pietragalla\u00a0: \u00ab\u00a0un beau livre vit, il se burine avec le temps. On le partage avec ses amis. Il peut m\u2019arriver chez moi de d\u00e9cider de tout re-d\u00e9corer et me d\u00e9barrasser de meubles et des objets, mais jamais des livres ni des photographies.\u00a0Il est un objet qui raconte tout un univers qu\u2019on s\u2019approprie, page apr\u00e8s page\u00a0\u00bb. Convoquer l\u2019imaginaire est justement l\u2019objet commun des deux publications que Marie-Claude Pietragalla a choisies dans notre catalogue\u00a0: \u00ab\u00a0Le titre et la couverture de l\u2019ouvrage Le R\u00eave ont tout de suite piqu\u00e9 mon attention. Je me suis dit que ce livre \u00e9tait pour moi\u00a0! Il est magnifique avec cette bouche immense qui flotte comme un nuage, peinte par Man Ray. Elle me rappelle les l\u00e8vres-bijou de Dal\u00ed.\u00a0\u00bb.<\/p>\n

Le R\u00eave<\/em>. <\/a><\/strong>Le catalogue de l\u2019exposition au mus\u00e9e Cantini – Marseille (2016)<\/a><\/p>\n

Marie-Claude Pietragalla nous plonge aussit\u00f4t dans un univers o\u00f9 l\u2019imaginaire r\u00e8gne en ma\u00eetre. Pour elle, c\u2019est de la pens\u00e9e et des songes que d\u00e9coule le mouvement.
\nElle entrouvre la couverture qui, une fois d\u00e9pli\u00e9e, devient affiche\u00a0: \u00ab\u00a0La jaquette est mouvante comme les r\u00eaves qui sont des sc\u00e9narios, des images en mouvement. Les r\u00eaves et la danse ont en commun qu\u2019ils sont tous deux les moyens d\u2019expression de nos \u00e9motions, qu\u2019elles soient inconscientes ou \u00e9veill\u00e9es.\u00a0J\u2019ai toujours travaill\u00e9 la cr\u00e9ation \u00e0 travers l\u2019inconscient. C\u2019est ce qui m\u2019int\u00e9resse le plus. Qu\u2019est-ce qui surgit malgr\u00e9 vous\u00a0?\u00a0 Les songes tissent des liens entre la vie onirique et la r\u00e9alit\u00e9. L\u2019inconscient a un champ d\u2019action large et puissant\u00a0: il ressurgit dans nos r\u00eaves et nourrit nos id\u00e9aux.
\nJe n\u2019ai pas pu voir l\u2019exposition au mus\u00e9e Cantini de Marseille, je le regrette. Mais je me laisse guider par le catalogue, de chapitre en chapitre, du songe \u00e0 l\u2019imaginaire en passant par le fantasme et le cauchemar, ce qui m\u2019\u00e9voque Eug\u00e8ne Ionesco dont les \u0153uvres ont justement pour point de d\u00e9part un r\u00eave ou un cauchemar. Le spectacle \u00ab\u00a0M. & Mme R\u00eave\u00a0\u00bb, que Julien Derouault et moi avons imagin\u00e9 et mis en sc\u00e8ne, estun hommage \u00e0 cet auteur incroyable.
\nCe catalogue magnifique fait \u00e9cho \u00e0 notre intimit\u00e9, \u00e0 notre int\u00e9riorit\u00e9. Le domaine de l\u2019inconscient, des songes, nous n\u2019en ferons jamais le tour\u00a0; il est infini. Et tant mieux\u00a0!\u00a0\u00bb.<\/p>\n

\u00c9trange visage. Portraits et figures de la collection Magnin<\/em>. <\/a><\/strong>Le catalogue de l\u2019exposition au mus\u00e9e Magnin – Dijon (2012)<\/a><\/p>\n

En reposant Le R\u00eave<\/em>, Marie-Claude Pietragalla se saisit d\u2019\u00c9trange visage<\/em>, le second ouvrage qu\u2019elle a s\u00e9lectionn\u00e9.\u00a0 \u00ab\u00a0Les textes et les \u0153uvres choisies pour ce catalogue d\u2019exposition explorent le portrait \u00e0 travers plusieurs \u00e9poques et les diff\u00e9rents partis pris des artistes. Regardez les textures reproduites qui sont incroyables. On distingue les traits \u00e9pais au pinceau, les craquelures de la toile et m\u00eame des images surprenantes de r\u00e9alisme, pareilles \u00e0 des photographies. On comprend ici que les personnes sont pr\u00e9sent\u00e9es de fa\u00e7ons diff\u00e9rentes, selon les \u00e9poques.\u00a0 \u00c0 quel moment est-on dans la beaut\u00e9 ou la laideur\u00a0? Y a-t-il une distance impos\u00e9e ou le visage se livre-t-il \u00e0 \u00e2me ouverte\u00a0? Ces figures humaines sont comme des objets \u00e9tranges. Ce livre est finalement dans la lign\u00e9e du R\u00eave parce qu\u2019il convoque aussi l\u2019imaginaire pour laisser deviner la vie de ces gens. J\u2019aime l\u2019id\u00e9e qu\u2019on p\u00e9n\u00e8tre dans les visages comme on s\u2019enfonce dans des paysages, dans leur profondeur. Ces figures r\u00e9unies sont une plong\u00e9e dans le rapport aux autres, dans des histoires humaines. Ce livre me ram\u00e8ne encore \u00e0 l\u2019essence de mon travail et ma cr\u00e9ativit\u00e9\u00a0: danser les \u00e9motions et les sentiments. \u00c0 travers les arts que j\u2019entrecroise, je me suis efforc\u00e9e de construire un langage gestuel qui, en vertu de sa port\u00e9e universelle, met en sc\u00e8ne l\u2019aventure humaine et fait \u00e9cho \u00e0 celle du public\u00a0\u00bb.<\/p>\n

\n

Consultez notre catalogue sur le th\u00e8me de la musique et de la danse <\/a><\/p>\n

Suivez notre actualit\u00e9 et abonnez-vous \u00e0 notre magazine <\/a><\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

Tous les mois, nos \u00e9ditions invitent une personnalit\u00e9 \u00e0 choisir un ou plusieurs titres dans le catalogue. La s\u00e9lection et les commentaires livr\u00e9s par cet invit\u00e9 \u00e9clairent sans nul doute sa personnalit\u00e9\u00a0: \u00ab\u00a0Dis-moi ce que tu lis, je te dirai qui tu es.\u00a0\u00bb\u00a0(Fran\u00e7ois Mauriac) La s\u00e9lection de Marie-Claude Pietragalla L\u2019artiste chor\u00e9graphique, connue pour son approche…<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[6],"tags":[],"class_list":["post-928","post","type-post","status-publish","format-standard","hentry","category-personnalite-de-la-culture"],"yoast_head":"\nL\u2019invit\u00e9e des \u00e9ditions : Marie-Claude Pietragalla<\/title>\n<meta name=\"description\" content=\"Tous les mois, les \u00e9ditions invitent une personnalit\u00e9 \u00e0 choisir un ou plusieurs titres parmi leur catalogue.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, 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